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Matthew Vincent Taylor is an interdisciplinary artist based in New York City's East Village. He attended New York University: Tisch School of the Arts on a full academic scholarship, and received his BFA in Dance, May 2018. Matthew Vincent is so proud to be a member of The Forest of Arden Company. Matthew has collaborated with and performed work by creators like Crystal Pite (Kidd Pivot), Josh Prince (Beautiful- The Carole King Musical), Mandy Moore (La La Land), MADBOOTS  dance, Warren Carlyle (Hello Dolly), Whitney Browne, Dfernando Zaremba; these collaborations gave Matthew the honor of performing on world renown stages like Carnegie Hall,  New York City Center,  Radio City Music Hall, The Joyce Theater, Jack Crystal Theater, NYU Skirball Center, and Paper Mill Playhouse. Matthew also studied, and interned, at The Upright Citizens Brigade Theater. He continues to study the art of the joke in everyday life.


Matthew Vincent is excited by the possibilities he's discovered at the intersection of movement, comedy, and new media. He hopes to continue using his intuitive procedure of problem-solving across mediums. 

Artist Statement:

My artistic process revolves around my intuitive fascination with messes. An unspoken, untranslatable pull, to help everything find where it needs to go— to find harmony. I’ve yet to find a more satisfying feeling than the  l i t e r a l  bliss of everything finding its place— order. I’m constantly challenged by this paradox. The desire for both, new opportunities presented by a mess, and the clarity of mind that comes with order. I find this paradoxical struggle for balance as an individual, a student, a leader, a friend, a brother, a son, and a partner. As an interdisciplinary artist, my compiled experiences as a dancer, a singer, an actor, a photographer, a choreographer, a comedian, and a writer have shown countless parallels and intersections between each individual medium’s process and life’s innate processes. Each discipline provides structure for an individual’s mind to intuitively manifest in. Ultimately, revealing the profound universality of humanity’s appetite for process; and furthermore, the universality of the human experience.

Samba Incognito

Samba Incognito

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